Writing Well

This month’s blog is simply an expression of how I’m feeling about writing right now. Oh, the joy! It feels like my ten years of learning the craft in courses, workshops, and books, plus my six years of writing and re-writing my first novel, have all come together to form a passage through to the end of Draft Seven (a euphemism for Draft Gazillion), also referred to as the Submission Draft.

Finally, I feel like I know what I’m doing. My visualisations of signing a contract, of editing the final manuscript, of beholding a beautiful cover, of holding an actual paper book and seeing it in a bookstore, have all re-emerged. I see myself being interviewed, being introduced as an author, being congratulated on a message well-said. I’m loving it!

So, what has brought me to this point? Enthusiasm for writing, the wonderful people who write, a story that won’t go away, dedication, determination, and resilience. And a year that has so far brought three gifts:

  1. A workshop by Dani Abernathy on The Art of Emotionally Impactful Storytelling (found through the Fiction Writing Made Easy with Savannah Gilbo podcast),
  2. the discovery of Save the Cat! Writes a Novel by Jessica Brody, of which I used the summarised beat sheet, and
  3. Jennifer Marshall, a writing buddy turned book coach who has helped me plot a structure that will keep me on track for a strong character and story arc. Since engaging her services, my writing has taken off and so has my confidence.

Every author I’ve ever listened to has strongly advised having at least one writing buddy. Someone to bounce ideas off, check work with, be motivated by. Jen has understood my novel so intuitively, that it’s like she sees the gold vein in the rock walls. She’s able to extract the message of my story, and the good stuff from my sometimes-dense brain. With her reflecting what I say, problems are getting solved.

In all, I’m on track for submitting my novel to agents and publishers this year, hopefully in the first half. Writing my pitch, synopsis, and cover letter for submission might be my biggest challenge. But now I know I can do it. Light is shining from the end of the tunnel.

Here’s my practise pitch:

The Rest of Their Lives is a heart-warming, contemporary story about three friends facing the challenges common to women in middle-life. It’s about love and loss, hard choices, and self-discovery. Set in Australia, India, and Ireland over the course of a year, these three brave women re-write the next chapters of their lives.

And now, it’s back to work – the joy of writing well.

If any of my writing friends are reading this and thinking they could do with a hand, contact Jen through me. I can’t recommend her enough.

Between Draft Blues

In the last six weeks I have written nothing to do with my novel. I’m in Pause mode, in the space between drafts. It feels like limbo, like I’m adrift at sea in a dinghy, unsure that I’ll ever make it back to the main boat to which I’m usually tethered. I’ve been patiently waiting on an author-connection to assess, edit and hand back my manuscript.

An established author who is willing to wade through the muck that is a first-time writer’s work, who is willing to pay attention and use her authorly skills to give advice that will better that work, is, in my view, a fairy godmother. My expectation was that copious amounts of magical instruction would be sprinkled over me like fairy dust, acting like a salve that had the power to transform and transfigure my rather voluminous housedress of a fifth draft into a silken, fitted ballgown. With sparkly glass slippers.

Unfortunately, the wonderful author is human, and this is real life and stuff happened that has prevented her from wading through that muck.

And so, I’m drifting. Directionless. How will I fill in time while I wait for another generous, willing author, to make her way through my storyland, planting seeds and slashing weeds along the way?

The first thing I need to do is relax. Many authors advise to take time off between drafts. At least a month, say some. I’ll come back to it refreshed and see it through a new lens, right? But what if I forget what I was trying to say? What if my characters forget to inform me?

I need to distract myself and focus on all the things I think of doing while I’m trying to write. There are a million things I could do varying from reading to exercising, short courses to socialising, redecorating to cleaning grout. Procrastination comes so easily when the manuscript needs work, so why not now? After utilising the initial month’s break for a two week adventure-holiday, catching up with long lost friends, and listening to writerly podcasts – all very satisfying – I’ve found the extra time has not been so productive.

Perhaps then, I need to revert to a schedule. Get up early, do something writing-related for an hour and a half, like I’m used to (I’ve just enrolled in two online writing courses!), read, exercise, listen to podcasts, research something of interest… Am I mad? What human that lives by a schedule doesn’t crave a holiday from a schedule?

I guess the problem is, I just want to get back to writing my book. I miss it, miss my characters, and miss the progress now that completion is finally in sight. It’s been a long journey. I’m in my sixth year of writing. It’s been hard with lots of heartache and angst and deprivation. But it’s looking like a half decent story worthy of the three women characters who are so brave and loving and formidable.

Waiting has always been hard. Patience needs to be practised.

I know I won’t forget the book’s message and my characters are way too keen to have their journey to let me forget anything they need to do. So, I’ll take a deep breath, step back, and let my sub-conscious and the Universe do what they do best: test me, teach me and make magic.

At least I’ve got time to get back to writing my blog.